Vintage Writer's mini album, journal, portfolio

 As a writer, I always need a notebook to jot down my ideas. plot strategies and sometimes entire paragraph's and every writer likes something really special to put their hopefully future published ideas.
So I chose to make a sort of vintage writer's portfolio which can serve as both journal and photo album. The cover using a brown and ivory paper sports the perfect typewriter magnet up oin the corner and a Graphic 45 typewriter tag is attached as well. To the side is a fussy cut vintage fountain pen and a mini mini book I made. I couldn't find any small books so decided to make one. the title says pages de journal (journal pages) and it has a a cover that looks like leather but is really handmade mulberry paper over a metallic copper card stock used as book board. and inside there are 12 small ivory linen pages. the book opens and can be written in, and closes with a metal wire clasp, as does the portfolio although the metal wire is twisted steel and bronze wire.
I made this journal using the instructions offered by Steffogal1 on her expert you tube video for her "super cute and fast journal. I used papers, materials, ephemera, pigment inks and techniques from Graphic 45, 7 Gypsies, Tim Holtz, Prima, K&Company, and Recollections.
Inside the 12 pages of this 7 by 3 inch portfolio, you'll find to do lists, many pockets, envelopes and a library card holder, and tucked inside are lots of photomats and tags to use for notes, even a handmade bookmarker.

On the first inside page, I added a smash to do list over a brown cardstock background. A lower border of metallic copper card stock which I embossed with my Tim Holtz cogs and gears folder and then cut with the Tim Holtz pennant edge die. Inside the border I tucked a tag I made with vintage vellum newspaper with news and advertising for London events.  Every writer, needs to keep up with the news!  How many novels are written just at the inspiration of some headline or even tiny footnote?
On the third page, I attached an enveloiped and tag I made from K&Company julianne paper stack.  the handwritten paper was perfect.  I then added a seal of a griffin with some deep red sealing wax. and a jaunty top hat in the corner shows our writer is one his way to hunt for inspiration.

The third page has a silver metallic folder with a ocket watch as a reminder that time is of the essence as Arthur Conan Doyle would have Holmes say, and tucked in the pocket is a bookmarker I made with another vintage s style Tim Holtz embossing folder.
The fourth page has another journlaing spot with a typewriter, reminding nay to be author that they must write, writer, write! A book page by Grapohic 45 tucked into a lower border emphasizes the sentiment.

The fifth page boasts a number of Graphic 45 cards and tags from both the Communique as well as the Botanicabella collections.  An elaborate Victorian  advertising for tthe best fountain pens is tucked into a corner pocket and an illuminated book page is tucked further back.
On the sixth page, I used a tag from a tag pad from K&Company's Halloween tag pad, covered the words, "witches brew" with a pen nib illustration and added a pocket at the bottom which holds the title page of a thesaurus, as important to a writer as Watson was to Holmes! A Smash sticky note with a pencil, is another reminder.

   On the seventh page, a border holds a tag I made, and a metallic copper photomat and behind is a larger metllic silver photomat - because each author should have photos of their characters if he chooses to base them on real people - which I must confess I do, or at least an amalgamation of real people. which IAs inspiration there are Victorian advertising cards, a vintage newspaper list of news and events, scraps of handwritten letters, old advertising and document cards. 
Now the 8th page is tricky, for here you'll find a fold out envelope pocket holding a photomat with a smash lightbulb sticky note on it as well as lavishly leather covered book illustration.  And below is a secret pocket made from a tag designed by Debbe Anne Parent owner of Vintage Garden Ephemera. When you turn the page you discover the envelop folds out bearing an true vintage label (not a reproduction) advertising spiriteaux from France, because as many writers know liquid inspiration is one of the cures for white page fever.

And then as you turn the page you discover the back of the eyeglass tag is a pocket accented with and embossed border and an arrow reminder to look to the next page. And tucked inside the pocket is a black photomat.  
The final page sports a library holder marked with an"Urgent" sicker, since as we all know it's time to finally submit that manuscript to a publisher b y the agreed upon and all important deadline!  Before computers, emails and the internet, the tedious process must be undertaken by hand, printing, packaging and sealing a writer's child, his most important document up until that moment in his life which he must then mail, with insurance and document information because heaven forbid it never reaches the editor's transom.  I have to say, the old methods of submitting a book to some publisher in New York or London was such a nerve wracking ritual and I do believe its important for every writer to go through such a character-building initiation - because when they receive that acceptance letter - the joy is so much the more intense, thanks to all the pain and waiting suffered beforehand. 

Dreamer boudoir mini album and journal

This is the perfect bedside companion - a compact, ribbon-tied mini journal and photo album combined, where you can record dreams, jot down memories, keep lists and quotes, save notes and write drafts of letters. There are plenty of pockets and envelopes where you can tuck away small trinkets or love letters, lots of tags and photo mats for photos
I made this journal using the instructions offered by Steffogal1 on her expert you tube video for her "super cute and fast journal." And
I find this 7 1/2 by 3/12 boudoir journal to be the perfect size to keep on a bedside table so as to remember all those brilliant ideas, story lines, plans and fantasy that arise during that evening or early morning twilight sleep. The style of this "Dreamer" boudoir journal is a mixture of Victorian, Art Nouveau, shabby chic, bohemian and steampunk all wrapped together with ribbon. I used papers, materials, ephemera, flowers pigment inks and techniques from Graphic 45, 7 Gypsies, Tim Holtz, Prima, K&Company, and Recollections. Like the Victorians, I'm a great believer in reusing everything from advertising labels and items to scraps and tatterings left over from other projects or stuffed away in my stash.

The first page features a vintage photograph and a vellum butterfly by K&company, accented by a rosy border and some Prima and K&Company flowers. The second page shows some mulberry paper in a medieval design as the background with a Michael's dollar bin tag tucked into a border made with a Tim Holtz die. The third page features a journaling spot over some open stock French blue paper.

The third page is with a paper from the K&Company Mariposa paper stack  and includes a journaling spot and a place for photos. On the foruth page, I added a journaling tag from K&Company's 2012 Halloween collection and made a red striped pocket and poppy covered tag with paper from the K&Company Jullianne  paperstack. 

The fifth page uses more paper from the Julianne stack and a tag I made with more of the French blue open stock paper from A.C. Moore tucked into a border.  The coiled paper star is from my stash of years ago. On the sixth page, I made a medallion of the French writing paper and overlaid on a open stock Recollections paper.

This is one of my favorite pages with lots of journaling spots, page seven was cut from a get well card someone sent me.  It was too beautiful with it's deep sky blue not to use! And I added another K&Company journaling spot and then made a second one on the tenth page.  In between is a centerfold envelope with two pockets and the inset saying "Dream" with the beautiful bird is from open stock paper.

The third page shows an envelope and tag form Michael's dollar bins over some beautiful open stock paper and I love using advertising in my projects, just as the Victorians did so I used a Twinings teabag in a beautiful purple as a tag holder.

Myth and Goddess Boudoir Journal

I haven't posted recently for three reasons - one is that Loner aka Jeff has the next book of his Appalachian Trail journal that I made and I need to photograph it before talking about it on here. Secondly, I've been spending a lot of my time on my large 12X12 altered art Steampunk journal #2 after attending the Upstate Steampunk Extravaganza and being totally blown away by the inventions, costumes and  I've mostly been making Christmas presents so haven't wanted to post about them until after the recipients receive their gifts.
But now I'm making some journals to keep, some to sell on my ETSY and some to save as presents.
 I'll start with one I've made for myself.  I often make books for other people and never get around to making one I'll keep, but I gathered enough ephemera to make one of the useful journals that Steffogal1 taught in very user friendly steps in a you tube tutorial. 
First she offered  peek of it in this video and then she did a tutorial on what she called a super cute and easy journal.  I love the style so much I've been making them like crazy.  Most of mine I call boudoir journals because they're the perfect size to perch on a nightstand. Don't we all need a part diary, part mini photo album - to capture those thoughts and ideas when we have a few moments of alone time? Boudoir journals are ready for , dream recording,  romantic memories, jottings, list-making and of course, photos of your people, secret admirers and legged loves!
This was an important project to me at this stage in my life, as part of the focused Jungian studies I'm involved in right now. It was also part of my therapy following my doctor's diagnosis of my fibromyalgia early last year and an escalation of the chronic neuroimmune disease in July. And I'm sure the tragedy in Newtown, CT, brought to light how death and loss, while integral parts of life, forever change our perspective on life.

 I started off with  a sheet of the 12X12
Engraved Garden Designer paperstack from K&Company. 
I just love this page with the crow. I've always had an affinity for the crow as a bird and The Crow both James O'Barr's graphic novel and The Crow as the movie, starring Brandon Lee were parts of the goth culture which was a rather important part of my life. The movie came out during the heyday of when my publishing house, Shadow Archer Press was publishing our goth culture magazine, The Howling.  Many of our staff and friends were huge graphic novel fans of such groundbreaking graphic novels such as James O'Barr, The Crow and Neil Gaiman's/Dave McKean's Sandman and we couldn't wait for the film to be released and had planned a huge gathering to all attend the movie in goth garb. But then we received the news of Brandon Lee's tragic death on the set in Wilmington, North Carolina (which I visited about ten years later.  I always become fully immersed in sub cultures and had done a lot of research on why O'Barr wrote the graphic novel and how director, Alex Proyas interpreted the story from his own personal perspective. The Crow resonates with me in many deeply personal ways and has been one of my totem animals - maybe as far back as when I was a child, and my father died four days after a fall from a tall building he was working on in Boston. 
I wasn't  allowed to grieve, except secretly because my mother thought it best not to talk about my father or his accident. I believe that America is amiss in rushing the grieving processes, major transformational stages of life. Periods of grief tend to teach us a great deal about loss, but also about love, depth, the true value of people as opposed to material things, as well as leading us to appreciate what's essential to a soulful life.
So for this boudoir journal, I tried to find items that spoke to that process as we travel through the various stages.
First of all I cut the page to 7/1/2 by 3 1/2 inches and then did the scoring and folding to make the booklet. I first added a cemetery sculpture of a mourning woman which I made with a Tim Holtz  fragment. I love using fragments because they're so easy to use to make small pieces of paper into artwork and add a 3 dimensional feature to any project. The woman in mourning further emphasizes the message of this journal.  The Victorians were students of mourning rituals and had many including photos of the deceased, jewelry made from lock of hair from the dearly departed, and other traditions which we might consider macabre.  But to them it was all part of the healing process.
On the second and third pages, I started out with a pocket made from a 2001 note card by Robert Frederick Ltd. that I couldn't bear to mail away, depicting John William Waterhouse's beautiful Pre-Raphaelite painting The Lady of Shallot (1888) - this has long been an important painting in my search for soul and meaning as it represents one must set forth into the unknown despite the dangers which might be encountered.  The painting was based on Lord Alfred Tennyson's poem, written in 1832 -  The Lady of Shallot, where a maiden is locked in a tower and can only view a knight who rides by in a mirror. Once the mirror cracks, she feels she must go seek him our and sets of in her boat, dressed in white, floating through water lilies (both symbols of innocence seeking Camelot.
Our red-headed young woman does encounter love but loss, as well, as we all do. Inside the pocket is a tag from Michael's famous dollar bins. On the next page is an area to jot down quotes or thoughts above a photo of a statue which is in my Garden - to me she represents Demeter or Ceres - the goddess of growth and fertility, but also the mother of Persephone or Hecate who must bear witness to her daughter being abducted to the underground (our subconscious) by Hades (Pluto).
The fourth and fifth pages are about growth, blossoming, blooming to full flower and adulthood,  Life seems vital and vibrant, alive and alluring.   The poppy foil and gilt envelope from K&Company Julianne paperstack holds a tag for photos or writing and the book of  stems, leaves and flowers above offers room for photos.  On the 5th page the botanical from the  paperstack tag barely hides one of my sketches of a nude woman who learns to be vulnerable under the enchantment of new experiences, offerings, pleasures.
Below is a photo of the page with the photo book and poppy envelope opened, displaying the magenta colored striped tag inside  the enveloped.

On the 6th and 7th page, I chose a Steampunk woman holding a crow, from Graphic 45's Steampunk Debutante Collection, This woman is mature and decides to live a bohemian life given over to art, writing, reading and music. She holds the crow, a reminder that death must be acknowledged, and how its acknowledgement proves life as something sweet and precious - something important to savor each and every day. I made the art noveau tag from metallic copper heavy card stock using an embossing folder that came in a set.  I can't recall who made it though. It was a great set with four different tags or panels all in the Art Nouveau style.  To add inspiration for soul searching I added a "Mirror, mirror on the wall" type photomat accented from the 2011 Halloween tag stack by K&Company as well as a metallic copper and blue paisley border by K&Company. 

The 8th and 9th pages represent two more stages of a woman's life, first her abduction again to the underworld, an experience which is re-enacted over and over through fathers, boyfriends, lovers and husbands. Because women experience emotions so deeply leading in their ever-present  internal life, they sometimes feels they must give up parts of themselves to be committed to a relationship or to marry.  The 8th page with it's hues of reds and oranges represents all the intense emotions connected with these colors, passion, lust, anger.
I was so excited to spot the Trader Joe's Apple Cider one shipping trip and besides salivating over the idea of cider, I knew the illustration would have to have a featured place in one of my projects. The label is easy to remove (no glue on most of it)  and has a great texture. The illustration depicts these emotions in a unique and powerful way - the man is leading the woman up a ladder - to the heights of passion and life experience, but she refuses and struggles to escape because she's afraid of losing herself.
The tag just below, is from the Julianne K.& Company paperstack   and it's complex busy pattern, overlaid with gilt foil swirls shows how the spirals of life can be hectic and confusing and I tucked it into the bottom border of a bowed Cupid's mouth which is closed and silent.The background of the page and tag are both softer in hues of pink representing that behind all the emotional entanglements and doubts, order can bring order  out of chaos but our woman isn't ready just yet.

On the 8th page, she does indeed lose herself - in a wonderful way - bearing children - and this page shows the joys of motherhood and how losing oneself to the innocence of children, as presented by thew botanical card in the background of a lily, tells a different story. Another tag made of lime green cross-hatched card stock once again depicts the colors of  young life, but the crosshatching on the card shows how those lives Are 9intricately woven together from now on.
The final two pages represent the woman who has come to terms with her life.
On the 9th page I added another photomat from the 2011 Halloween K&Company tag stack and made a pocket from teal card stock, tucking in a card made from a piece of Recollections open stock paper from Michael. This tag: deeply-hued, voluptuous, abundant, rich in color, shows how the reds and pinks are deepened into mauve and burgundy through experience, reflection, insight and resolve.
On the 10th page, once again, I used a Robert Frederick note card of Proserpina by Dante Gabriel Rossetti. This goddess, also know as Persephone, Rossetti saw as the empress of Hades - queen of the underworld, who has become adept at exploring her subconscious depths. She is no longer an unwilling victim, but  now a mature and resolved woman, aware that to be fully authentic, she must also reside in the liminal world of Hades for half of her each year to become a fully authentic individual in her own right. She is adept at delving into the past and her subconscious through dreams, stillness, silence or meditation, and she'll continue to partake of the pomegranate because such journeys to the depths are imperative to soulmaking.
I tucked a tag I found at the side of the road once while walking - a scientific specimen card of the lunar, a perfect addendum to tuck into the Proserpina pocket as a symbol of a being whose greatest insights are discovered in the depths of the dark.